Introduction

Auto-Tune has long been a go-to tool for vocal production, used by engineers and artists worldwide to achieve the signature pitch-corrected sound. However, over the past few months, I’ve encountered significant reliability issues that make it nearly unusable in professional sessions. At first, I thought it might be an issue with my system—but after talking to other audio engineer firends, it became clear that this is a widespread problem.

The Auto-Tune Issues I’m Experiencing

In almost every session, I run into the following problems:

1. Settings Resetting – Auto-Tune randomly resets its settings, forcing me to manually reconfigure each instance across a session.

2. Incorrect Key Application – Auto-Tune occasionally applies pitch correction from an entirely different key, even when it’s set correctly, causing the vocals to sound completely off. The only way to fix it is to manually change the key to a different one and then switch it back to the correct key.

3. Session Instability – If I close and reopen a session, the same issues occur again, requiring me to repeat the troubleshooting process.

4. DAW Agnostic Problems – These issues happen across multiple DAWs, including Pro Tools, Studio One, and Logic Pro.

The only workaround? Freezing tracks or converting them to audio, which is far from ideal when making vocal adjustments or adding other plugins for the mix.

Auto-Key: Another Unreliable Tool

Auto-Key, the companion plugin used to detect a song’s key and tempo, has also become a major headache. In about 50% of cases, activating it in Studio One crashes the entire program. It usually works after a relaunch, but sometimes it takes multiple attempts, leading to a lot of wasted time. I’ve seen the same problem happen in Pro Tools.

Is It My Computer?

At first, I assumed this might be a compatibility issue with my system. I’m running a brand-new M4 MacBook Pro, and it’s true that the latest computers can sometimes have issues with certain software. But after troubleshooting, I quickly ruled that out.

For one, I’m not the only one experiencing these problems. Several of my engineer friends—who are using different computers, including Intel-based Macs and older Apple Silicon models—are facing the exact same issues. Some of them are on the latest macOS (Sonoma), while others are still on macOS Ventura, yet the problems persist across all setups.

That was the moment I knew it wasn’t just my system—Auto-Tune is fundamentally broken for a lot of people right now.

Antares Tech Support: A Dead End

To get answers, I reached out to Antares’ support team. Initially, their response was prompt and professional—they quickly asked for a video demonstration of the issue. They even pointed out a minor mistake with the video link, which I appreciated as it showed their attention to detail. However, despite this promising start, my follow-up on February 4th has yet to receive any further communication. Other engineers have reported similar experiences, reaching out and receiving little to no resolution. This lack of sustained support only adds to the frustration of dealing with these persistent plugin issues.

My Theory: The iLok Transition Broke Auto-Tune

A few months ago, Antares announced a return to iLok licensing, calling it a major upgrade. However, many users reported issues with the transition. I personally had no problems with their previous licensing system, but something clearly went wrong when they switched back.

My best guess? The iLok shift introduced compatibility issues, possibly because some users are still on the old system while others have migrated. If Antares tech support doesn’t have a fix yet, that would explain their silence.

The Solution: Stop Using Auto-Tune

Metatune

Metatune

For years, I’ve told people to explore MetaTune by Slate Digital, and this situation only reinforces that advice. MetaTune works just as well—if not better—than Auto-Tune, and it’s far more reliable.

Never crashes

No licensing headaches

No forced upgrade fees

Price Comparison

MetaTune$199 (one-time purchase)

Auto-Tune$459 (one-time purchase)

Slate All Access Subscription (includes MetaTune + SSL plugins) – $20/month

Antares Subscription (includes Auto-Tune + minor extras) – $25/month

With Slate, you get far more value for less money, while Antares continues to charge premium prices for a product that has become unreliable.

Final Thoughts

Auto-Tune is currently too unstable for professional use. Until Antares acknowledges and fixes these problems, I can’t recommend it to anyone. If you’re frustrated with Auto-Tune’s issues, I highly suggest switching to MetaTune—you’ll save money and avoid the headache.

Have you experienced similar problems? Let me know in the comments! And as always, if you need help mixing or mastering your next project, feel free to reach out.

Mixing and Mastering Engineer Matty Harris

Hello, I'm Matty Harris, and I've been professionally mixing and mastering music for over 20 years.

Throughout my career, I've had the privilege of working with many major labels and contributing to numerous #1 records. Some of the artists I've worked with include Kelly Clarkson, Travis Barker, and Sammy Adams.

My extensive experience in the industry has equipped me with the skills and knowledge to help musicians elevate their sound to a professional level. Whether you're a seasoned artist or just starting out, I can provide you with the techniques and insights you need to overcome any challenges in your mixing and mastering journey.