mixing

3 Pultec EQ Tips With Acustica Audio’s Purple

3 Pultec EQ Tips With Acustica Audio’s Purple

Introduction: Why the Pultec EQP-1A Still Reigns Supreme   There’s a reason the Pultec EQP-1A has stood the test of time. It’s been on everything from Motown classics to modern pop hits—and for good reason. There’s just something about the way it shapes sound: it...

How to Mix Acoustic Guitar

How to Mix Acoustic Guitar

How to Mix Acoustic Guitar: Real-World Techniques from My Studio to Yours   Mixing acoustic guitar can be one of the trickiest—and most satisfying—parts of a mix. It’s an instrument that can sound beautifully rich or painfully thin depending on how it’s recorded...

Matty 5 Favorite Features of Studio One

Matty 5 Favorite Features of Studio One

Introduction   As someone who mixes and masters records every single day, the tools I use aren’t just about features—they’re about speed, workflow, and creativity. About eight months ago, I made the switch from Pro Tools to Studio One by PreSonus, and honestly, I...

Gain Staging in Presonus Studio One

Gain Staging in Presonus Studio One

Introduction If you’re mixing in Studio One and your tracks are sounding too harsh, distorted, or just not sitting right—there’s a good chance your gain staging is off. I’m not here to throw a bunch of technical jargon at you about dBFS vs. VU or the science behind...

Difference Between Mixing and Mastering Music

Difference Between Mixing and Mastering Music

Understanding the Difference Between Mixing and Mastering Music Mixing vs Mastering at a Glance Feature Mixing Mastering Purpose Blend and balance multitrack recordings Final polish and prep for distribution Input Type Individual tracks (vocals, drums, etc.) A single...

Using the Studio One Splitter Feature with Parallel Compression

Using the Studio One Splitter Feature with Parallel Compression

Unlocking Punch and Precision with the Studio One Splitter   In the world of modern mixing, workflow and tone go hand in hand. And if you’re a Studio One user who hasn’t tapped into the full potential of the Studio One Splitter tool, you’re missing out on one of...

4 Mixing Tips that have Nothing to do with Mixing

4 Mixing Tips that have Nothing to do with Mixing

Great mixes don’t just come from compressors and EQ curves—they come from perspective. Before you touch a single plugin, there’s a mindset you need to step into. One that focuses on intention, honesty, and emotional connection. Because at the end of the day, mixing...

3 things to do before Sending your Songs to get mixed

3 things to do before Sending your Songs to get mixed

Introduction: So Your Songs Are Ready for the World   You’ve written the lyrics, recorded the parts, and lived with the demo long enough to know it’s finally ready. Whether your song is headed for Spotify, Apple Music, the radio, or just the aux cord at your next...

Top 10 Mixing and Mastering Blogs

Top 10 Mixing and Mastering Blogs

We’re lucky to live in a time when top-tier music production knowledge is just a click away. When I was getting started, the only way to truly learn how to mix and master was by going to school, interning at a studio (which, in my opinion, is still the best way), or...

How To Take Reverb Off Audio Files

How To Take Reverb Off Audio Files

Introduction: Why You Might Need to Remove Reverb in the First Place   Reverb can be a beautiful thing. When used intentionally, it adds space, dimension, and a sense of realism to a recording. But when it’s baked into a file—whether from a poorly treated room,...

Setting up a Tempo Based Reverb

Setting up a Tempo Based Reverb

Understanding the Role of Reverb in a Mix   Reverb does more than just make things sound “big.” It shapes the emotional landscape of a track. Whether you’re working on a stripped-back acoustic ballad or a tightly produced trap record, reverb can either glue the...

How to Separate a Drum Loop

How to Separate a Drum Loop

How to Separate a Drum Loop (The Smart Way)   When you’re knee-deep in production and stumble on the perfect drum loop—but wish the kick wasn’t buried under a pile of hi-hats—you’re not alone. I’ve been there. Whether you’re making beats in your bedroom or...

How to Separate a Drum Loop

The Two Most Important Things to Make Your Mix Sound Professional

Introduction   After over 15 years of mixing records for artists across genres—from major label pop to gritty independent hip-hop—I can tell you this: the flashiest plugins won’t save a mix that doesn’t feel right. And if you’re wondering how to make your mix...

How to use Parallel Compression on Kicks

How to use Parallel Compression on Kicks

If you’ve ever felt like your kick sounds good solo but disappears once everything else comes in — you’re not alone. Early in my career, especially working on EDM and pop sessions, I ran into that problem all the time. I’d get a killer kick sample, tweak the EQ, maybe...

How to Separate a Drum Loop

How to Set Up Virtual Instruments in Pro Tools

If you’re new to producing music in Pro Tools, one of the first things you’ll want to learn is how to use virtual instruments. Whether it’s a piano, synth, or drum kit, virtual instruments let you create full tracks without needing a room full of gear. And once you...

How to Create the Phone Effect

How to Create the Phone Effect

How to Create a Phone Effect in Any DAW Introduction As a professional mixing and mastering engineer, I’ve used the classic “phone effect” on countless records—whether it’s to add a lo-fi vibe to a vocal, create a transition moment in a track, or give a hook that...

How To Setup Reverb

How To Setup Reverb

How to Setup Reverb If you’ve ever felt overwhelmed by all the reverb options in your DAW, you’re not alone. Whether you’re producing in Pro Tools, Logic, Ableton, or Studio One, reverb can be set up in a few different ways—and each method serves a different creative...

Mixing and Mastering Engineer Matty Harris

Hello, I'm Matty Harris, and I've been professionally mixing and mastering music for over 20 years.

Throughout my career, I've had the privilege of working with many major labels and contributing to numerous #1 records. Some of the artists I've worked with include Kelly Clarkson, Travis Barker, and Sammy Adams.

My extensive experience in the industry has equipped me with the skills and knowledge to help musicians elevate their sound to a professional level. Whether you're a seasoned artist or just starting out, I can provide you with the techniques and insights you need to overcome any challenges in your mixing and mastering journey.